Baritone Stephen Gaertner

ROLES PREPARED AND/OR PERFORMED
Abayaldos – Dom Sébastien
Alfio – Cavalleria Rusticana
Amonasro – Aida
Andrei Shchelkalov – Boris Godunov
Baldassare – L’Arlesiana
Captain Balstrode – Peter Grimes
Cascart – Zazà
Chorèbe – Les Troyens
Cristiano – I Cavalieri di Ekebù
Don Carlo – Ernani
Don Carlo di Vargas – La Forza del Destino
Escamillo – Carmen
Ezio – Attila
Ford – Falstaff
Francesco Foscari – I Due Foscari
Frank – Edgar
Gianni Schicchi – Gianni Schicchi
Giorgio Germont – La Traviata
Iago – Otello
Il Barone Scarpia – Tosca
Il Conte di Luna – Il Trovatore
Kyoto – Iris
Lanceotto Malatesta – Francesca da Rimini
Lord Enrico Ashton – Lucia di Lammermoor
Macbeth – Macbeth
Marcello – La Bohème
Mr. Kallenbach – Satyagraha
Mr. Redburn – Billy Budd
Nabucco – Nabucco
Paolo Albani – Simon Boccanegra
Rigoletto – Rigoletto
Sharpless – Madama Butterfly
Silvio – Pagliacci
Simon Boccanegra – Simon Boccanegra
Simonson Ivanovich – Risurrezione (Alfano)
Sir Riccardo Forth – I Puritani
Šiškov – From the House of the Dead
Tamar – Zingari
Tonio – Pagliacci
Vater – Hänsel und Gretel

American baritone Stephen Gaertner has performed extensively across North America and Europe in such diverse roles as Riccardo in I Puritani, Enrico in Lucia di Lammermoor, the title roles in Nabucco, Macbeth and Rigoletto, Di Luna in Il Trovatore, Germont in La Traviata, Paolo in Simon Boccanegra, Chorèbe in Les Troyens, Escamillo in Carmen, Amonasro in Aida, Iago in Otello, Alfio in Cavalleria Rusticana, Tonio and Silvio in Pagliacci, Marcello in La Bohème, Scarpia in Tosca, Sharpless in Madama Butterfly, Lanceotto in Francesca da Rimini, the title role in Gianni Schicchi, and Balstrode in Peter Grimes. Recent career highlights have included appearances as Macbeth at the Savonlinna Opera Festival, Opernfestspiele Heidenheim and Opéra de Dijon; Germont in La Traviata with Cedar Rapids Opera Theatre; Amonasro in Aida with Teatro San Carlo, Naples; Iago in Otello with Teatro de la Ópera, San Juan; Rigoletto with Opera Grand Rapids; Riccardo in I Puritani with Teatro Verdi Trieste; and Scarpia in Tosca and the title role in Nabucco with Sarasota Opera.

Mr. Gaertner made his Metropolitan Opera debut in 2007 as Enrico in Lucia di Lammermoor. His other roles at the Met have included Melot in Tristan und Isolde, Chorèbe in Les Troyens and Paolo in Simon Boccanegra (a performance available on Sony Classical HD DVD), in addition to covers of several major Verdi baritone roles: Carlo in Ernani, Di Luna in Il Trovatore and Germont in La Traviata. He has also covered the role of Rigoletto with Los Angeles Opera. Gaertner made his European debut at the Opéra Royal de Wallonie in Liège in 2010, as Escamillo in Carmen.

Gaertner has also been a frequent performer of opera in concert. He appeared with Teatro Grattacielo at Alice Tully Hall in New York City as Cristiano in Zandonai’s I Cavalieri di Ekebù and as Cascart in Leoncavallo’s Zazà (the latter under the baton of the late Alfredo Silipigni). He also made several appearances with Opera Orchestra of New York at Carnegie Hall: as Sonora in La Fanciulla del West, Abayaldos in Donizetti’s Dom Sébastien, and Frank in Puccini’s Edgar, all under the baton of founder and music director Eve Queler. He has also sung Macbeth in concert with the Südwestdeutsche Philharmonie Konstanz and Carlo in La Forza del Destino in concert with New Amsterdam Opera in New York City. He made a stunning U.K. debut in 2015 at London’s Barbican Hall as Cascart in Zazà in concert with Opera Rara and Maurizio Benini conducting the BBC Symphony Orchestra, garnering high praise from the exigent London press. He also appeared in 2021 at London’s Cadogan Hall as Tamar in Leoncavallo’s Zingari in concert with Opera Rara and Carlo Rizzi conducting the Royal Philharmonic Orchestra. These two Opera Rara appearances resulted in studio recordings, both released commercially to critical acclaim; the Zingari recording earned a nomination for the 2023 International Classical Music Awards (ICMA) in the Opera category.

Additional concert appearances have included Britten’s War Requiem at Catholic University in Washington, D.C. and Brahms’ Ein Deutsches Requiem at Carnegie Hall with the New England Symphonic Ensemble. Mr. Gaertner has also been the recipient of awards from the Licia Albanese-Puccini Foundation, Opera Index Inc. and the Oratorio Society of New York.