Conductor Cody Martin

WORKS CONDUCTED
As One (Kaminsky)
Don Giovanni (Mozart)
Florencia en el Amazonas (Catán)
H.M.S. Pinafore (Gilbert & Sullivan)
Man of La Mancha (Leigh)
María de Buenos Aires (Piazzolla)
Die Zauberflöte (Mozart)
Three Decembers (Heggie)
WORKS PREPARED/COACHED
Arizona Lady (Kalman)
The Ballad of Baby Doe (Moore)
Il barbiere di Siviglia (Rossini)
La bohème (Puccini)
Carmen (Bizet)
La Cenerentola (Rossini)
Così fan tutte (Mozart)
L’elisir d’amore (Donizetti)
Falstaff (Verdi)
A Little Night Music (Sondheim)
Madama Butterfly (Puccini)
Orphée et Eurydice (Gluck)
Riders of the Purple Sage (Bohmler)
Rigoletto (Verdi)
Roméo et Juliette (Gounod)
Rusalka (Dvořák)
Il trovatore (Verdi)

Conductor Cody Martin was recently named Music Director at Pensacola Opera, where he has been the Director of Education and Director of the Artists in Residence Program since 2017.

During the 2022-23 season, he leads the company’s first-ever production of Rodgers & Hammerstein’s Carousel, as well as sharing the podium for Forty Forward, a 40th anniversary gala concert. Recent seasons have seen Martin leading productions of Die ZauberflöteDon GiovanniAs OneFlorencia en el AmazonasMan of La Mancha and María de Buenos Aires in Pensacola, as well as making his debut with Fargo-Moorhead Opera conducting Jake Heggie’s Three Decembers. He was on the music staff of Des Moines Metro Opera for three seasons, most recently serving as associate conductor for Rusalka. He previously worked on productions of A Little Night MusicOrphée et Eurydice, and Falstaff in Des Moines. He was also on the music staff at Arizona Opera for two seasons, working most recently on productions of RusalkaMadama ButterflyRiders of the Purple Sage (world premiere), and La Cenerentola.  Martin’s experience also includes three seasons with Janiec Opera Company at Brevard Music Center, where he worked as an assistant conductor and coach for productions of The Ballad of Baby DoeCosì fan tutteRigolettoSweeney ToddDon Giovanni, and Albert Herring.

An avid proponent of new opera, Martin has worked on multiple premieres, including Arizona Opera’s first world premiere, Craig Bohmler’s Riders of the Purple Sage, with a libretto by Steven Mark Kohn; two workshops of The Copper Queen by Clint Borzoni, with a libretto by John de los Santos; a 2014 workshop of Robert Aldridge’s Sister Carrie, and the world premiere of Michael Ching’s Speed Dating Tonight! at Brevard Music Center.

Cody holds degrees from Murray State University and Florida State University.